Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something …
Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
Loved the book. It is original, creative and heartwarming. Both characters and story take you through the world of donuts, music, Southern California, and the galaxy in a really unique way. Many complex topics were discussed evoking emotions including but not limited to: disgust, hope, humor, joy, etc. The story and characters carry this book. Glad I bought a hard copy!!
Yes there were really hard parts, yes I was triggered at times, but Aoki managed to expertly balance this with such heartfelt and grounded writing that I never felt unsupported when the story ventured to the cliffs edge. This has been added to my list of all time favorites and will be slotted in as a challenging comfort read I return to to remind me that it’s ok when life gets hard and the worlds ugly - I just have to find the friendly face in the dark.
I’m so happy I listened to this, Cindy Kay was the perfect narrator. She also narrates the Sing Hills novellas, so check those out too if you want more expert story telling.
Content warning Very poor ending; selling souls to hell does pay!
I accept that I'm probably not the target audience for this, but here we go... I so wanted to like this as I've seen lots of good reviews and the book does have lots of good aspects: it's nice to see Asian-American communities described so ...lovingly, the food and violin bits are well done, one of the protagonists is a trans woman. But... it's not well written (too many POV changes, too much telling and not enough showing), Bad Things Are Done directly or indirectly by main characters without accountability, characters lack agency and do things because of the authors being able to make them do things as opposed to them being sufficiently well-developed so that you think they're making their own decisions (e.g when Astrid catches Katrina at a webcam). The sciency bits are complete gibberish. The two plot strands come together very clumsily at the end (really would have benefited from omitting the intergalactic donut salespeople (and another thing, if sales are dipping, why not replicate ...money instead of donuts?) and concentrating on the violin/souls aspect). It's also heinously missold as "Good Omens meets The Long Way to a Small, Angry Planet". It's neither and is a long way from either. I think we can all agree that misgendering is pretty shit, but it doesn't need to be a capital offence; a bit of wish fulfilment perhaps? The quote in the title is said by a character to Katrina but applies to Shizuka, who really is quite a problematic character. And the book lacks empathy for others; there's Katrina, Shizuka, the Trans (get it? the TRANS!) and a few others, but many other people in the book don't rise above NPC level and can be treated accordingly. I feel my blood pressure rising, so I'll stop, but before I do, maybe the book needs content warnings for sexual assault, transphobia, racism and homophobia among others.
Not sure what I think. Did I enjoy it? Sorta. I did finish it, so that's something.
Not a spoiler per se, but the end lacked oomph. It builds and builds and builds then petered out into "everything was fine."
