Tak! commented on The Order of the Pure Moon Reflected in Water by Zen Cho
The March 2023 #SFFBookClub selection
I like to read
Non-bookposting: @Tak@gush.taks.garden
This link opens in a pop-up window
The March 2023 #SFFBookClub selection
According to tor.com, this is my booksona
Content warning plot arc metaspoilers maybe? also for Nona the Ninth
This one took me on a very Nona the Ninth-like journey, from "I am following the plot and know what is going on" to "I am no longer following the plot, what the hell is going on" to "Wow, I did not see that coming"
Content warning discussion of character traits, addiction
I think it didn't sink in on my first readthrough that Mishima's fondness for narrative content was framed as a shameful addiction.
I wonder if this is meant to be a comment on the popular view that fiction is idle, time-wasting escapism, while nonfiction is educational and productive.
I also found that the author subsequently wrote a short story on the topic.

Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her …
This is the best/worst book to have just gotten into when a bout of insomnia strikes, so you can lie reading in a dark, silent house while the level of creepiness steadily builds, and something outside makes a tok-tok-tok noise
Currently on sale at Kobo: wandering.shop/@older/109706894307305724

Most of the men are dead. Three years after the pandemic known as The Manfall, governments still hold and life …
I'm sure I read The Fall of the House of Usher at some point, but I didn't retain enough that I had any particular expectations for the direction of the plot, etc.
However, I did read Mexican Gothic relatively recently, so I spent a good deal of What Moves the Dead, once the overall shape of the story became apparent, nodding along and waiting for the characters to catch up - it gave me a chuckle to see the reference to Mexican Gothic in the author's note.
Great writing, an intriguing reimagination of the classic.
There were a lot of scenes I loved, and the sequence in the beginning where the narrative is passed along a chain of serially coinciding characters is wonderful. When I read the reunion near the end, I literally exclaimed "Hahaha, yes!" As a whole, it felt a touch rambly, but I have no regrets. One area where Tchaikovsky excels is departing from (or maybe just ignoring?) genre tropes, and this is no exception.